Tuesday, 10 November 2009


Yes, Baldessari at the Tate, Ruscha at the Hayward, Kapoor at the RA are high impact shows. Then there’s Lucy Skaer and Roger Hiorns impressing in the Turner Prize and quirky group shows at Camden and 176… Here, though, are some less obvious selections of shows well worth seeing.

Boo Ritson: Back-Roads Journeys @ Alan Cristea (Part 1) & Poppy Sebire (Part 2)
To 21.11: 34 Cork St & 36 North Audley St - Mayfair

Ritson’s painting-sculpture-performance-photograph images of people literally painted gain extra narrative thrust in spreading across two galleries, with a new twist whereby the viewer has to fill in the gaps represented by white paint. And be sure to take the superbly produced diner ‘menu’.

Beat Zoderer: Sourceless Fields @ Bartha Contemporary
To 26.11:136b Lancaster Rd – Ladbroke Grove

A representative sample from the Swiss master of industrial, commercial and office materials, including works in the rarely-encountered Eternit, a highly versatile concrete based fibre-cement material, and some attractively impossible knots.

Bill Culbert: State of Light @ Peer
To 28.11: 99 Hoxton St - Hoxton

New Zealander Culbert has often worked with tubes of light to very different installational effects from Dan Flavin: here the gallery is turned half black, half white reflecting a display of window-come-picture frames which suggest a traditional RA hang.

Mariele Neudecker @ Room
To 29.11: 31 Waterson St - Hoxton

Business as usual for the Bristol-based German, in that she gives us atmospheric models of romantic landscapes, but fascinatingly undermined by such devices as a gritty urban foreground or being inverted and made to resemble eyeballs. Plus rather creepy sculptures of aeroplane black boxes.

Glenn Brown @ Gagosian
To 26.11: 2-24 Britannia St - King’s Cross

Brown continues to deconstruct the thick, expressionist painted surface by making it at one extreme flat and at the other a ‘sculpture of paint’ in distorted riffs on art history and pop culture. Also includes a new strand of shaped canvases.To quote Martin Herbert's rather brilliant summary of Brown's career in Art Forum: 'Man finds theme: painting's demise expressed through zombified remakes of works by Frank Auerbach, Salvador Dali and Karel Appel, and then through grandly geeky enlargements of sci-fi book covers. Man commences sideline in sculpture... Man shreds post-modernist primers; messes with Photoshop; discovers deep, hazy pictorial space that suggests the afterlife; evolves boggling vocabulary of melting forms, gaseous flesh and necromantic figures..'

David Raymond Conroy: It was part of it before. And now. @ Seventeen
To 28.11: 17 Kingsland Rd - Hoxton

Would be worth seeing merely for ‘Sometimes I wish I could just disappear’, a succession of photos from Ebay of mirrors for sale – in which the owners didn’t quite succeed in excluding their camera from the image… But beyond that, an impressively varied and witty set of reframings which go that now-necessary step beyond simple appropriation.

Wayne Thiebaud @ Faggionato
To 18.12: 49 Ablemarle St - Central

San Francisco’s master of painterly pop surely has a lower British profile than he should. This show may help rectify that with its good mix of still lives, signature cakes, landscapes and vertiginous cityscapes, but a large scale museum show would be welcome. Worth noting that Faggionato opens Mon-Fri only…

Time is a Sausage @ DomoBaal
To 19.12: 3 John St - Clerkenwell

Actually a ‘show of shows’ in that 60 works shown salon-style in the main gallery are combined with a succession of separate shows featuring one or two of the participants. For 12-21.11 the extras are sculptors who catch the urban landscape above and below ground in contrasting ways: Steve Johnson and Phyllida Barlow.

Stephen G Rhodes: Reconstruction or Something @ Vilma Gold
To 20.12: 6 Minerva St - Cambridge Heath

Rhodes is one of the most interesting inclusions in Saatchi’s current survey of new work from America, and this impressive sculptural installation with multi-screen video collage combines high visual impact with underlying complexity in considering the USA’s relations with Iraq .

Presque Rien III @ Laure Genillard
To 9.1.10: 2 Hanway Place - Tottenham Court

The third (!) instalment of Laure’s group show of almost nothing amounts to quite something, largely through drawing you into objects which turn out to be something else: a kebab is a sculpture, books are wings, a ball of dust is a planet. Worth noting that the gallery doesn’t do mornings!

www.newexhibitions.com gives full address and opening time details of most shows


I am looking forward to:

Mustafa Hulusi @ Civic Rooms (12.11 – 13.1) and with Mark Titchner @ Max Wigram (19.11 – 19.12)

Peter Davies @ The Approach 13.11 – 17.1

After Awkward Objects (Louise Bourgeois, Lynda Benglis & Alina Szapocznikow) @ Hauser & Wirth 17.11 – 19.12

Kendell Geers @ Stephen Friedman 17.11 – 16.1

La Peinture Est Presque Abstraite @ Camberwell Space 18.11 – 23.12

Tom Badley @ Rokeby 19.11 – 18.12

Drawing Form @ Green Cardamom 20.11 – 22.1

Benoit Maire @ Hollybush Gardens 20.11 – 24.1

Nathan Danilowicz @ Crisp 25.11 – 9.1

Tatsuo Miyajima @ Lisson Gallery 25.11 – 16.1

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About Me

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Southampton, Hampshire, United Kingdom
I was in my leisure time Editor at Large of Art World magazine (which ran 2007-09) and now write freelance for such as Art Monthly, Frieze, Photomonitor, Elephant and Border Crossings. I have curated 20 shows during 2013-17 with more on the way. Going back a bit my main writing background is poetry. My day job is public sector financial management.