But you can also click through to what I’ve written elsewhere about plenty of them. One of my more recent full texts is for Fiona G Roberts’ online show ‘It Always Rains in the Lakes’ at Alpeh Contemporary (to 31 Dec). My essay is at https://alephcontemporary.com/exhibitions/53-fiona-g-roberts-it-always-rains-in-the-text-by-paul-carey-kent/overview/. Masochists with stamina can read me on most of the artists in the show. Here are links to a sample:
Here’s a full account of Elpida Hadzi-Vasileva‘s practice for Seisma Magazine https://seismamag.com/visual-fine-art/elpida-hadzi-vasileva-inside-beauty
I curated Bella Easton’s solo show in 2017 http://paulsartworld.blogspot.com/2016/07/bella-easton-these-outer-shells.html
Brain Dawn Chalkley was an interview subject in 2019 https://elephant.art/brian-dawn-chalkley-opposes-binary-fluid-watercolours/
I wrote texts for the Kate Lyddon and Jonny Briggs shows at Joe Madeira’s excellent former project space Cabin (come to that, they were both in my show ‘Ears for the Eyes’ in 2017) https://paulsartworld.blogspot.com/2016/05/cabin-class.html
Hannah Maybank featured in one of my 13 ‘thematic essays’ for Elephant Magazine, which were particularly enjoyable to write https://elephant.art/environment-climate-change-artists-activism-01092020/
Claire Macdonald showed a fabulous film in ‘The Shapes We’re In’ in 2015 http://paulsartworld.blogspot.com/2015/11/the-shapes-were-in_15.html
Hannah Hughes was in one of my and Yuki’s previous shows here at White Conduit Projects
https://files.cargocollective.com/534129/SUPER-FLATLAND-Final-full-material-.pdf
John Peter Askew is the subject of one of my 500 weekly columns for FAD Magazine https://fadmagazine.com/2019/08/28/life-in-perm/
Lee Maelzer and Sam Jackson have featured in recent Instagram posts (as have several others) https://www.instagram.com/p/CkkkN_1IiEr/ and https://www.instagram.com/p/ClaiGNYosAN/