Kehinde Wiley: China Samantha Nash, 2013
|William Morris: Pink and Rose, 1890|
|From the Department of Dead Ends (Pink & Rose), 2013 - 7-Colour Blockprint|
|Harem #2, 2009|
|Palmer IX, Clouds Dropping Fatness On The Earth|
The Interface Falling Sky Series, 2012
Bonus Ball: John Carter, similarly beneath the radar on the boundary of painting and sculpture, shows at both the RA (works on paper) The Redfern Gallery (40 new works).
Clay Ketter: See What I Mean @ Bartha Contemporary, 25 Margaret St - Fitzrovia
|Angel, 2004, painted MDF, glass|
What does the Swedish-based American Clay Ketter mean by his gleaming white in white show of Kitchen Variants inspired by furniture catalogues, his stack of plasterboard, his application of the golden section to beautifully milky 60% transparent perspex cabinets with iron pipes through the back? I think he means to undermine minimalism by conflating it with furniture and the warehouse, whilst at the same time paying tribute to the root of its original emergence: that old manoeuvre, in other words, which I rather like here, of having your cake and eating it.
|Susan Collins: London, 15th September 2013 at 10.45 am|