Thursday, 21 May 2015

CHOICES FROM ART15 AND PHOTO LONDON, MAY 2015

The third edition of ART15 and the debut of Photo London over the same late May week. Cross-over was minimal - I spotted only a couple of works in both fairs, and only a couple of galleries rather heroically did both. 

Neither was excessively crowded, and they occupied their spaces well: Somerset House’s succession of rooms has proven its suitability through the African fair 1:54, and Photo London confirmed that. Across town, Art15’s use of Olympia was a good deal more convincing than Art14’s had been. Both had good programmes of supporting talks and events plus special displays.

Quality was much patchier at ART15, but given their sizes, both fairs provided more than enough material of interest to be plausibly absorbed in a 3 or 4 hours. Both lack what might take them to the next level: Photo London’s 100 or so galleries and displays covered the premium specialist photography galleries, plus nationally prominent generalist galleries with a rich photographic stream. What it lacked – and which Photo Paris had last year – was photographers presented by such international heavyweights as Gagosian, David Zwirner and Thaddeus Ropac. ART15, one might say, has nationally prominent galleries from the less significant nations in terms of art commerce (Hong Kong, Taiwan, India…) but decidedly modest firepower from the more prominent nations (UK, USA, Germany).


ART15 AWARDS

Troika: Path of Least Resistance #38, 2014, at Maddox Arts:  #36 is at Hamni

ART15 opened at Olympia on Wednesday night. Choose a category and here’s my pick from a decidedly uneven fair which nonetheless has plenty of good things in it:

Two hander




Amy Stephens & Mark Davey (above) @ William Benington Gallery – re-positionable forms and kinetic lightworks and more 

Set of Paintings




Geradline Swayne's small-scale enamel on aluminium set at the Fine Art Society

Use of Text


Phoebe Boswell – Rivington Place project detailing Swedish attitudes to race via Tinder

Special Project

Graham Fink – drawing with his eyes only at Riflemaker  

Photos not in Photo London


Janneke Van Leeuwen at Beers Lambert -  as punchily installed behind a chain curtain

Walls on the wall

Li Peng – burned and distressed architecture paintings at Galleria H, Taiwan

Moving Image


Eelco Brand natural history animations at Dam Gallery, Amsterdam

Historic revival




Atsuko Tanaka (1932-2005) at Tezukayama Gallery, Osaka  - selection of the youngest Gutai artist’s post-Gutai abstractions (she was a member 1955-65) echoing her famous electric dress - above is Untitled from 1986.

Curated stand


Frameless Gallery – rarely-seen Fontana and Nicholson as triggers for three pairs of works  by younger artists showing process and results alongside each other:   Rodrigo Sassi, Yara Pina and Jonathan Meyer.


Lucio Fontana

Abstract work

Luis Tomasello – . Objet plastique N. 735, 1994 - an unusual two-coloured diamond with many colour variations caused by the light and angles at Kanalidarte, Brescia


Life Project



Hard not to be struck by Zackary Druker and Rhys Ernst’s photo set Relationship, 2008-13, depicting themselves as ‘a transgender couple whose bodies are transitioning in opposite directions through hormone treatment’ – Drucker male to female, Ernst female to male

Prints


Julia Dault: Holograms (4), 2015

Julia Dault and Lucy Skaer at Dundee Contemporary Arts

Ceramics

Jesse Wine, Caroline Achaintre. and  Salvatore Arancio at Camden Arts Centre

Drawings
 
Marylene Steyne at Lychee One

Asian discovery


G R Santosh & Sohan Qadri – his Untitled Ink & dye on paper work from 2005 above - 
equally persuasive figurative and abstract neo-tantric art at Delhi Art Gallery


Surprise


Two new Bridget Riley paintings –  Start Over I and II (above) triangular, and fresh from the studio


Best associated exhibition

Maddox Arts (stand highlights: Nicolas Feldmeyer and Troika)  'Weight for the Showing' and Friday 8 pm performance at the gallery near Bond Street!

Worst Work
A hotly contested category, but I was particularly taken by Joonsung Bae’s entry at the Albemarle Gallery, a lenticular piece in which old master figures lost their clothes as you walked past




PHOTO LONDON CHOICES


Karen Knorr at Grimaldi Gavin


 Four galleries showed examples of Karen Knorr's intoxicating combinations of animals with historic interiors: this one as new-with-her Grimaldi Gavin 

Hiroshi Sugimoto at amanasalto


          


The great Japanese photographer’s own collection of fossils pictured as the effect of ‘geology as camera, ie Pre-photography Time Recording Devices ’

Peter Liversidge at the Ingleby Gallery

                       


Peter Liversidge is perhaps better-known for making propositions than for the proportion which are realised, here that of blowing up a zoo image from his i-phone to an impressive life size in "Photograph Taken Whilst Walking (Ursus Rictus)" 2009



Jane Hilton at Eleven



British photographer gets under and maybe beyond beyond the clich├ęs in American cowboy country

Floris Neussus at V&A


The V&A’s rich rooms included Water from the 1977 series Dissolving of Bodies, in which the great photogrammer exposed life-sized images to the elements.

Polixeni Papapetrou at Gallery Pavlova

 
The Berlin antipodean specialist Michael Dooney brought Helleno-Australian photographer’s life-sized prints ‘The Ghillies’ - figures in landscapes dressed in military camouflage clothing designed to resemble heavy foliage.

Robert Toren at Danziger Gallery



Frida / Patti, a spooky digital merger of Kahlo and Smith, can stand in for pushing digital processes: there was less of it than you might expect, but the whole room of Stephen Wilkes’ ‘Day to Night’ series was another prominent example.


Corinne Mercadier at Les Filles du Calvaire

 

Performative games with a mysterious geometry from a French photographer new to me


Dan Holdsworth at Thomas Zander




Perhaps the best room in the fair included one of the Newcastle-based photographer’s intense, minimalist, sculptural zooms in on mapping data,

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About Me

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Southampton, Hampshire, United Kingdom
I was in my leisure time Editor at Large of Art World magazine (which ran 2007-09) and now write freelance for such as Art Monthly, Frieze, Photomonitor, Elephant and Border Crossings. I have curated 20 shows during 2013-17 with more on the way. Going back a bit my main writing background is poetry. My day job is public sector financial management.

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