SHOWS TO SEE: Up Now in London
Anna-Bella Papp, Katinka Bock, Esther Kläs, Helen Mirra, Hayley Tompkins at Modern Art, Vyner Street to 13 April
New bodies of work from five artists, The highlights are Hayley Tompkins' (no relation) pools of colour in wall-mounted plastic boxes and a 'self-portrait' as a stool, titled LB after her birthplace Leighton Buzzard; and Anna-Bella Papp's ‘Plans for an unused land’, a sequence of hand-sculpted, tablet-like forms which form another form of self-portrait through her speculations on possible uses of a parcel of land which she may inherit - from sculpture park to farming options to highway - which she details charmingly in an accompanying text.
Alice Anderson: Body Disruptions at Waddington Custot to 11 May
Tribute to Mona-Ha at Cardi Gallery to July
This encounter between cotton and stone is one of 18 installation-scaled works across four Mayfair floors which make up the most impressive Mono-ha (Japanese 'School of Things') show London has seen. It's typical of Lee Ufan in showing the unaltered material properties of things, and resisting any hierarchy between them: Koji Enokura, Noriyuki Haraguchi, Susumu Koshimizu, Katsuhiko Narita, Nobuo Sekine, Kishio Suga, Jiro Takamatsu, Noboru Takayama and Katsuro Yoshida are also represented by work produced between 1968 and 1986.
Jeremy Cooper: The World Exists To Be Put On A Postcard - artists' postcards from 1960 to now at the British Museum to 4 Aug
Entre Tot, with ‘One Dozen Rain Postcards’ 1971-73, is one of the standouts in Jeremy Cooper’s wonderful show of over 300 postcard works at the British Museum. The Hungarian artist typed dashes of rain plus titles onto purple Xerox copies to make visual jokes which deconstruct the nature of typologies, conceptual art’s typical use of the typewriter at the time, and the normal expectation that a postcard will report on places and weather conditions the recipient. Moreover, there are Cooper-related postcard shows at Danielle Arnaud and Tintype.
Tracey Emin taking a selfie with some of the 50 blown-up selfies in her Insomnia installation. It's 'like an early death from within' she says. For the past four years she has taken selfies and selected some to blow up with an impressive range of bedwear and a lack of vanity which extends to a couple with a fat lip. This, the freshest part of her huge and effective new show, might be seen as an update on the famous bed.
Grace Weir: Time Tries All Things at the Institute of Physics, Kings Cross to 29 March
Fausto Melotti: Counterpoint at Estorick Collection to 7 April
Equilibrium. An idea for Italian sculpture at Mazzoleni Gallery to 5 April
Melotti also features in this cool show of Italian sculpture, much of which looks as if it could lose its balance any time. Here is Remo Salvadori's 'Verticale' 1991, which simply encircles a roll of copper with a cord to provide a tenuous structure on which a tabular flatness, a very large glass and one normal glass (plus the odd unauthorised addition at the opening) are balanced to suggest relationships just about in equilibrium. Is that a heavy drinker paired with a moderate one?