Saturday, 18 May 2019

CHOICES UP NOW






SHOWS TO SEE: Up Now in London 


see also my Instagram feed as paulcareykent



William Cobbing: Haptic Loop at Cooke Latham Gallery, Battersea to 21 June



'Long Distance', 2018 extends William Cobbing's  well known 'The Kiss' 2004 to show a couple connected yet struggling to get close. Part of an excellent solo survey in a notably tall new warehouse space with three films, many ceramic books and several haptic loop sculptures.


Mike Nelson: The Asset Strippers at Tate Britain to 6 Oct

Related image
'The Asset Strippers' 2019 fills the Duveen Halls with online auction sourced industrial, agricultural and bureaucratic detritus from our analogue past, repurposing it as sculpture and memorial while echoing many modern art tropes. The best use of this space since Phyllida Barlow in 2014...


Alexis Harding at Watson Farley and Williams LLP , 15 Appold Street, near Liverpool St to June 31




The most surprising inclusion in Alexis Harding's   show is a set of 12 boulder-like forms of oil and gloss paint such as 'June' 2019 above (no prizes for guessing the other 11 titles). But there are also 50 paintings in a comprehensive and powerful solo survey in the offices of Watson Farley Williams - best visiting time is Friday, when the lawyers tend to work from home.


Various shows at the British Museum


          

It's easy to see that Tate Modern (Bonnard + Tanning + West) has three interesting shows, but the British Museum can claim similarly. Franz Stuck's 'Die Sinnlichkeit (Sensuality)' 1889-91 sees a snake entangled with Eve, part of a display of Symbolist prints, and one of the movement's defining images of women as darkly enticing femme fatales. Add the surveys of Munch and Rembrandt and The World Exists To Be Put On A Postcard - artists' postcards from 1960 to now and you have a feast quite apart from 'the usual stuff'...









Tribute to Mona-Ha at Cardi Gallery to July 26



This encounter between cotton and stone is one of 18 installation-scaled works across four Mayfair floors which make up the most impressive Mono-ha (Japanese 'School of Things') show London has seen. It's typical of Lee Ufan in showing the unaltered material properties of things, and resisting any hierarchy between them: Koji Enokura, Noriyuki Haraguchi, Susumu Koshimizu, Katsuhiko Narita, Nobuo Sekine, Kishio Suga, Jiro Takamatsu, Noboru Takayama and Katsuro Yoshida are also represented by work produced between 1968 and 1986.







Images courtesy / copyright the relevant artists and galleries 




   

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About Me

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Southampton, Hampshire, United Kingdom
I was in my leisure time Editor at Large of Art World magazine (which ran 2007-09) and now write freelance for such as Art Monthly, Frieze, Photomonitor, Elephant and Border Crossings. I have curated 20 shows during 2013-17 with more on the way. Going back a bit my main writing background is poetry. My day job is public sector financial management.

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